![]() ![]() ![]() The third-person voice helps to keep Clayton’s story from becoming self-absorbed, as he learns to navigate the literal and figurative underworld and then find his way back to the everyday world of family, friends, and school. 3/10), Williams-Garcia writes an appealing, realistic story with frequent elegant turns of phrase (“Clayton stepped onto the subway platform, a fast- and slow-moving jigsaw puzzle with live pieces entering, exiting, milling, and turning”). In an unforgettable scene, Clayton, armed with his blues harp and wearing Cool Papa’s brown porkpie hat, enters the underworld of the New York City subway system - a child Orpheus - where he spends a good portion of the book meeting interesting characters and performing. He decides to run away and join Cool Papa’s band, the Bluesmen, but has to take the subway to find them. But when Cool Papa dies suddenly, Clayton is miserable. “Electric blues sparks jumped out into the night” when Cool Papa Byrd plays his guitar in Washington Square Park, and all grandson Clayton wants is to be waved in for a twelve-bar solo on his blues harp (harmonica) “to be a true bluesman among bluesmen.” Clayton and Cool Papa are Byrds of a feather in their love of the blues, and to Clayton, Cool Papa is a grandfather, blues master, mentor, and best friend all in one. Intermediate, Middle School Amistad/HarperCollins 166 pp. ![]()
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